Radio & Audio Funding Award Finalists 2021

Tran, who was born in the USA to Vietnamese refugee parents, returns to her father’s country to explore the mental legacy two generations on from the devastation of war. Through her story, we learn the revisionist history of the ‘Resistance War Against America’ that the current generation is left fighting to this day.

Producer: Lauren Anders Brown is a documentary director and photographer who has worked in over 40 countries and focuses on global health and humanitarian issues. 

Judge Pam Fraser Soloman said: “This project is really important, really urgent, and it is an untold story about the Vietnamese boat people and intergenerational issues that the protagonist is facing.”

When Lauren heard she was a finalist, she responded: “Being a finalist with The Whickers means the world to me and this project, and I can’t wait to share the news with the rest of the team.”

Nanou – a Congolese woman in the UK for the last 10 years – lives in an echoey limbo land, traced by the ghost of her murdered father and the memories of her homeland. Yet the fabric of a life can still be built from the most thread-bare of situations.

Producer: Phoebe McIndoe is a radio maker, walker and lover of poetry. She has made work for the BBC, Transom, and makes an occasional podcast-series exploring the wonders of storytelling.

When Phoebe heard she was a finalist, she responded: “I had to do a celebratory dance in the kitchen when I received the email… We’re so grateful to be awarded the development funding, and to share with Nanou that we’re one step closer to getting her story heard. Thank you.”

Unique access to Berlin’s infamous Project Dark Field (also known as Don’t Offend) which made scandalous headlines around the world for its liberal treatment of paedophiles. The controversial clinic never reports patients to authorities and claims this means that far more come forward for help…but is it yielding results or sanctioning abuse?

Producer: Andrew Gold is a journalist, podcaster and documentary maker who speaks five languages, and has traveled the world to make films about its weirdest and most fascinating inhabitants.

When Andrew heard he was a finalist, he responded: “I’m excited, amazed…and a little curious – fitting for a competition in Alan Whicker’s name.”

‘Cries for help were heard from the bottom of the cliff and police and firemen searched for her in the darkness for three hours in the early hours of Saturday.’ This is how the BBC described the last moments before my Mother’s death; this piece tells a different story.

Producer: Talia Augustidis is a London based audio producer, interested in a creative blend of fact and fiction. 

When Talia heard she was a finalist, she responded: “I am incredibly honoured to be selected. I can’t wait to meet the other finalists and learn from such renowned industry professionals.”

Judge, Pam Fraser Solomon said of Talia’s project: “It will be a sophisticated and beautifully crafted piece that will be made with the one ingredient that is usually missing, which is love.”

South Africa’s Missing Persons Task Team (MPTT) traces the remains of political activists “disappeared” between 1960–1994. Told through the case of Robben Island prisoner James Booi, whose grave was discovered just two months ago, this documentary follows the MPTT as they unearth answers for which families have long been waiting.

Co-Producer: Catherine Boulle is an audio maker, writer and researcher based at the Institute for Creative Arts (ICA), University of Cape Town.

Co-Producer: Bongani Kona is a writer and editor of Our Ghosts Were Once People: Stories on Death and Dying, and a member of the curatorial team at the Archive of Forgetfulness project.

When Catherine and Bongani heard they were winners, they responded: “We still can’t quite believe the news! But are overjoyed. This project matters deeply to us and to everyone involved, and we are really honoured to have the generous support of the Whickers to make it happen.”

Judge, Pez Andrews said: “Time, Paper, Bone explores a universal experience of the desire for closure, against another prism through which to view the apartheid era. There is also a deep love and sense of connection with the characters, which we felt very strongly through Catherine and Bongani.”

Photo credit: Benjamin Stanwix